“Big Sky” oil painting, 1990 (Paraparaumu)
It occurs to me that each one of us has a universe inside. There are light and energy sources – suns and stars. Also plenty of space. And black holes – awful negative nothingness which is another name for the bottomless-pit-of-need where you can never get enough validation or self-esteem. Inner planets too? Why not.
Positive energy (the sun) shines forth as one loves, receives inspiration, gives back, and puts ideas into action.
But it is hard not to be afraid of the black hole and of being drawn into it. It is such a hopeless void.
Sometimes I blaze through my universe with rocket-fired determination – gladly constructing and carrying out ideas, projects and schemes. At other times I languish, lost in space.
These are elements within my inner universe, and perhaps they are elements inside yours. The universe isn’t only out there, but also in here.
I lay in bed early this morning thinking these thoughts before turning over and going back to sleep.
“Check ignition and may God’s love be with you.” David Bowie
“Wafting” 36 x 28.5 cm. September 2019
During the previous fortnight while I worked on a commission of a Japanese lantern, I reminded myself of the principle of undercover white. What do I mean by this? The same colour (let’s say red) when mixed with white, results in a different pink/light-red depending on whether white is put down underneath the red, or over it. The following diagram illustrates this…
The first swatch in the diagram is Caran d’Ache Permanent Red 061. In the middle swatch I have put down a layer of Holbein Soft White 501 and THEN layered Permanent Red 061 over the top. Notice how soft and glowing the result is – perfect for creating luminosity – as in lanterns. The final swatch is the result of Permanent Red 061 underneath with Soft White on top. This is the SAME red with white, but mixed in reverse order. TOTALLY DIFFERENT!
In the above drawing “Wafting” the entire area of the lantern has Soft White underneath. White acts like a secret agent; Undercover White. This method creates glow.
Four years ago I wrote a post about this use of white (which I taught myself) however after doing the current drawing, it seems like a good idea to repeat the lesson. It is useful knowledge to have up your sleeve.
The delicate-red parasol in “Being There” also employed this technique.
https://juliepodstolski.wordpress.com/2015/02/12/the-power-of-glow/ – the link to the first post on this subject in 2015.
“Good thinking, 99”.