Category Archives: Illuminations

Gion Night

Electric lights, illuminated signage and red Japanese lanterns glowing from a Gion Higashi side-street, together create a nocturnal abstract.

“Gion Night” (above) is my third consecutive drawing of soft-focus Kyoto. “Gion Night” is the most abstract of the three, but if you know the idea began with a side-street or alley-way, you can kind of see it.

The previous two drawings are “Alone in Kyoto” and “Downtown“.

“Alone in Kyoto” Neocolor II and coloured pencils. 23.5 x 28.5 cm. April 2024.

“Alone in Kyoto” (above) was drawn after “Downtown” (below). Each drawing is more pared back than the previous one, with incrementally decreasing detail.

“Downtown” Neocolor II and coloured pencils. 30 x 21 cm, drawn in March 2024.

These three drawings have been questioning, challenging, frustrating and fulfilling in turn for me as I have sought out an impressionistic essence of evening Kyoto.

Alone in Kyoto

Last time I traveled to Kyoto I was not in a good mood during my first evening there. No doubt I was worn out from lack of sleep and two long-haul flights. I felt that I had made a mistake in coming back. I trudged around for a while in a black mood then gave up on finding inspiration and returned to my hotel room.

Looking back at my (very few) photo images from that first evening, I wondered if I could communicate my sense of doubt in a drawing. In my journal I had written “worst first night ever“, and that I was fluctuating between despair and resignation.

Well, there can be a kind of dark beauty in introspection – perhaps.

Downtown

On my way to Lawson to buy takeaway dinner one evening in Kyoto, a marching band of lights caught my attention. It was headed up by blue fairy lights. A Japanese lantern fell in behind. To the rear, neon signs and street lamps formed an abstract cohort, dazzling and reflecting all the way down to Shijo-dori. What a colourful cacophony. I thought there might be a drawing in it so I took a few photos.

This is the source photo for the drawing “Downtown”.

During the last fortnight as I worked on my drawing, Petula Clark’s song “Downtown” (1964) popped into my head. The song begins…

When you're alone and life is making you lonely
You can always go downtown
When you've got worries, all the noise and the hurry
Seems to help, I know, downtown

Just listen to the music of the traffic in the city
Linger on the sidewalk where the neon signs are pretty
How can you lose?
The lights are much brighter there
You can forget all your troubles, forget all your cares

So go downtown
Things will be great when you're downtown
No finer place for sure, downtown
Everything's waiting for you.

Kyoto Twilight

It was November 2005. Having used a film camera for decades, this was my first trip to Japan with a digital camera…a Nikon D70 if I remember correctly.

I wandered around Pontocho in Kyoto just as the light was morphing from daylight into evening – which is my favourite time. Lanterns and neon lights were popping on as the sky, not to be outdone, radiated its own quiet glow. I captured the moment with my new camera.

Back in 2006 I used the same source photo for another drawing which I called “Illuminating Dusk”. Because I have always loved this composition, I wanted to have another go at it in 2024.

The main lantern, incidentally, has been gone for years so if you go to Kyoto you will never see this scene. I suppose that makes this drawing a little bit of history.

“Illuminating Dusk”, coloured pencils, 36 x 55.5 cm. Drawn in 2006.

My friend, Hiroo Inoue, explained about the lantern in a letter in 2006 after I showed him the drawing I’d made. He wrote, “The kanji letters say DAI TOMI RYO, literal meaning is Great Wealth Ryo Ryo. This has various meanings like monetary unit in olden times and it also means “both”. Probably Dai Tomi Ryo is the name of a Japanese restaurant. During summer time those Japanese restaurants along side of Kamogawa river, they stretch verandahs over the river. They place mats on the extended verandahs where you enjoy the sound of river flow, also enjoy Japanese dishes. Dai Tomi Ryo can offer such services during summer season”.

Rest in Peace, Hiroo-san.

Afterword: A friend commented that she thought I was brave to work twice from the same photo. I explained it this way; I saw Kyoto with fresh wide-open eyes in my early trips so I photographed things I wouldn’t even “see” when I became more familiar with the place. Now I see these early images as treasure. I bring an evolved pencil technique to the old compositions which make the finished new drawings completely different to the original drawings.

Glowing in Kyoto

Time stands still – are we in the twenty-first century? Katsutomo-san approaches her okiya, key-in-hand, on a Gion street, while the always-present lanterns bob and glow.

As I continue to have an emotional pull toward lanterns, wooden tea-houses and geisha, I am unearthing my twenty year cache of Kyoto photos in order to mine them for possible new drawings. “Glowing in Kyoto”, just completed, is drawn from a photo I took on a summer afternoon in 2014.

I made a drawing from this same image back in 2014. I called it “The Art of Elegance”. You can play “spot the difference” between the two drawings.

“The Art of Elegance”, coloured pencils, 39.5 x 48 cm. Drawn in August 2014.

I find solace in subject matter such as this. The calm demeanor of elegant Katsutomo-san, the repetitive slats of wood and reassuring red lanterns are a meditation; a nostalgic world I can disappear into.

Gion Kouta

“Gion kouta” is the name of a hauntingly beautiful dance performed by maiko and geiko. The kouta (song) lyrics wistfully describe timeless Kyoto; its romantic changing seasons, fleeting beauty and ephemeral geisha.

I give this drawing the title “Gion Kouta” as, to me, it has all the romance of the song. Maiko (with accompanying shikomi) hurry through drizzle under their paper wagasa (umbrellas). Ichiriki-tei (the most famous tea-house in all of Japan) is on the left; lanterns and street lamps glow and reflect, and in the distance loom the eastern hills – Higashiyama.

Even the hotel where I stay is in this drawing. APA Gion Hotel is the pinkish multi-level building behind on the left. I’ll be there again in a couple of weeks’ time.

I took the source photo for this drawing in June 2016. It took me seven years to figure out how to bring about the drawing I had in mind! Once I began, the drawing drew itself quite effortlessly – and came to a resolution ‘just like that’ without angst.

Click on the link below to hear the beautiful and somewhat melancholy tune of “Gion Kouta”.

A Walk in Miyagawa

With the latest art exhibition “Home & Heart – local love stories” behind me, I decide to indulge myself with a Kyoto drawing – just for the sheer love of it.

Miyagawa is one of Kyoto’s five geisha districts. I was last there in November 2019 and this drawing is from a photo I took during that trip.

I like spending time in Miyagawa as it is quiet. Just ten minutes’ walk north, the better-known geisha district of Gion is heaving with tourists eagerly (and sometimes brutally) trying to intercept maiko and geiko (geisha) for photos.

Below are three older drawings from Miyagawa; each portrays a rear view. I love drawing the kimono ensemble from behind, while pictorially, a retreating figure guides the viewer into the scene.

“Last Night I Dreamed of Kyoto” is the same street on the same night but treated differently. Drawn in 2021.

“Surprise!” – two maiko were ambushed by a group of cameramen as they turned a corner. Drawn in 2011.

“Step by Step” – a young maiko and an old lady represent the passage of time. Drawn in 2014.

Timeless Miyagawa – as I draw the scene, so I am also drawn in.

All is Calm

The sun sinks, casting its last rays on East Fremantle’s “Rainbow” sea container sculpture. In the foreground a crested tern, already in shadow, rests on a pole at North Fremantle foreshore. At the first touch of an autumn dusk all is calm, all is bright.

“All is Calm” is a drawing featuring the rainbow sculpture – a much loved piece of public art in my neighbourhood. I took the source photograph for this drawing during the month of April 2022.

Below are some of the photos I’ve taken over the past year of the rainbow sculpture.

Transcendence

A few weeks ago I published a post on a drawing called “Celestial Forest“. I loved working on the drawing so much that when I finished it I knew I had to make a considerably larger version for my April 2023 exhibition.

“Celestial Forest” had been composed from the left side of a photo I had taken at Donnelly River in June. For “Transcendence” I worked from the whole photo.

“Transcendence” reminds me of Jackson Pollock’s abstract expressionist painting “Blue Poles”. However in my abstract realist drawing the verticals are (thankfully) not poles, but living trees.

As I stood in that patch of forest I was so moved by the sunlight filtering through the trees that it felt like a divine experience… as if I were inside a prayer. The interplay of light, wet leaves and branches became a kind of moving leadlight.

What was a word to describe this? It was Matthew who came up with my title. “Transcendence”, he said, and I knew that he was right.

I did not want to compare “Transcendence” with “Celestial Forest” so I waited until the latter had gone to its new home before putting final touches on the former.

Celestial Forest

“Celestial Forest” looks like swatches of colour up close (including if you are sitting in front of your computer screen). From a small distance it morphs into a forest with descending sun behind. (Try walking away from your screen and you’ll see what I mean.)

How did this drawing come to be? I was in the forest at Donnelly River Village in the late afternoon photographing a pair of scarlet robins. I couldn’t help but notice the light effects as the sun dropped in the western sky. It had been raining earlier. Wet leaves glistened in the light breeze. It was – spiritual.

“Hmm”, I thought, “How can I capture this?” I deliberately put my lens out-of-focus and pointed my camera straight at the sun. Then I turned attention back to the scarlet robins. When I got home I knew I had to make a drawing from the forest-y abstraction I’d captured.

“Celestial Forest” is similar to my impressionist Parisian drawings. In the Paris drawings the relationships are between street lights, neon and architecture. In “Celestial Forest” the interplay is between sun and wet trees.

“Melting Memory” (2021) impressionistic Paris – on the same wavelength as “Celestial Forest”

I drew four drawings for The 2022 Donnelly Verandah Residencies exhibition which opens on Friday 19 August at EARLYWORK, Cnr Wardie St & South Tce, South Fremantle.

They are…

“Celestial Forest” coloured pencils 26 x 26 cm. Sold.

“Forest and Bird” Neocolor II and coloured pencils. 26 x 26 cm. Sold.

“Wow Factor” coloured pencils, 18.5 x 18.5 cm. Sold.

What will my five fellow artists exhibit? I am excited to find out – in one week’s time.

If you are a local do come in and have a look. Opening 6-8 p.m Friday 19th August and then every day 10-4 to Sunday 28 August in SOUTH FREMANTLE.

POSTSCRIPT: 28 August 2022. The exhibition closed at 4 p.m. It was such a joy to participate in this group show. I met many people who visited the gallery; some old friends and some for the first time. Several drawings and prints have gone to new homes. I am tired out but so happy.

Julie Podstolski – Abstract Realism

A site to share my drawings, paintings, photographs and thoughts.

Category Archives: Illuminations