NOW – February 2021: There are two albums I listen to which take me straight back to Europe. They are by German group, Kraftwerk, and are from the 1970s. One album is “Autobahn” and the other “Trans Europe Express“. The first track (no pun intended) on “Trans Europe Express” is “Europe Endless“. As I am working on this drawing, the tune of “Europe Endless” rolls into my head and brakes. It is the name I will use for my title.
THEN – July 2018: I am in Chamonix Mont Blanc. As I walk with my camera (having deposited Matthew in our hotel room) the evening sky blackens and a thunderstorm begins. While crossing a railway line I attempt to capture the glowing station lights and wet reflecting tracks before rushing back to a dry hotel, dodging lightning forks as I go.
This seems like a fitting drawing to finish off my exhibition collection. It tells me that even though I am having an exhibition in April, it is not the end of the line, merely a station along the way. The train, so to speak, will continue on after a brief stop, forever going to new places.
I pay homage to Florian Schneider who co-founded Kraftwerk. He died last year – but perhaps he only changed trains and is continuing his journey on another line.
Meanwhile the song fades, “Europe Endless Endless Endless Endless Endless...”
PS: “Europe Endless” is a drawing where I employed my theory of UNDERCOVER WHITE to help achieve glowing colours. If you would like to know more about using undercover white in your own work, I have explained my methods in the post UNDERCOVER WHITE