
Street art and graffiti – some people call it visual pollution. I enjoy it. This includes posters pasted up on hoardings and various city walls. Over the years I have done several drawings of this subject matter. In 2004 I had an exhibition at Fremantle Arts Centre in Western Australia called “Street Theatre” which looked at the grunge of urban town and city life around me.
I invite you to look at the street art page on my newly updated website…
https://juliepodstolski.com/Street-Art~1020

“Heel!” was from a poster advertising the film ‘Secretary’. This poster had seen better days and was already creased, torn and taped over. I got a comment by a bemused spectator who was fascinated but said “You wouldn’t hang it in your house”. That comment stuck with me! It sold at the exhibition so not everybody agreed with the lady’s observation.

What I like about this subject matter is the randomness of it. The way images are spent, torn and pasted one on top of another results in an abstraction. I think about the limited life of events. In a short space of time the posters go from brand new with promises of wonderful happenings, to yesterday’s news. They quickly become worn out and forgotten…from expectation to rubbish.




I love Paris street art so last time I was there I looked for more but it seemed there had been a concerted effort to clean it up. ‘Rue du Chat qui Pêche’ which I had seen in 2012 had been painted over. Now it was just a blank wall. Street art is temporary at its source; however, when I draw, frame and exhibit my selections, the surreptitious artists’ visions become permanent.




Mixed media drawing.
290 x 320 mm. January 2014.

New drawing finished on 19th January. The subject is street art and graffiti which I came across in Soho, New York.


Coloured pencil drawing, 395 x 395 mm. Paris

263 x 397 mm, March 2014. Coloured pencils with a little crayon. Original source: Russell King, New York.
“Once Upon a Wall” (2017). The original street art is by Sobr however only the head and a bit of shoulder remain of his work. All the rest of my drawing shows layers of peeling paint on the wall.

Luminance pencils over Sennelier oil pastels.
380 x 540 mm. June 2017
“Still Life” (2018) doesn’t have any street art in the composition though it contains graffiti. However I include it on this page as the drawing celebrates this street scene as a piece of art in itself. It is what it is: the art of the street.

February 2018
“Rebel Rebel” (2018) isn’t street art so much as a political poster, but in the dilapidated state I found it (and made a drawing from it) I put it into the street art genre. The poster is a product of Fédération Anarchiste.

March 2018
“Cornered” is a drawing of street art I came across in Milan in November 2018. Drawn in 2020.

Coming across cool street art is like finding collage. I like to think of it as “urban collage”.
Fascinating! It helped me to see possibilities that I normally would have overlooked. Thanks!
I love this page. I am interested in street art too and recently visited the lanes in Melbourne. I love your technique -so beautiful and accomplished. A real inspiration. Thank you also for your generosity in sharing so much of your work and thoughts.
Best wishes,
Sue
Hi Sue, so great to get this message from you. Yes, street art can be so inspiring! I will be visiting America in a few weeks so I am bound to see a lot more of it. I haven’t been to Melbourne myself for absolute years. I tend to visit Sydney reasonably often though.
thank you for sharing this, Julie…your work is very engaging!
Camilla x
Thank you, Camilla, and such a treat to be with you and our ‘salon’ today. I can’t remember if I mentioned that Robyn and I are having another show together. It will be next April at Earlywork and it will be called “An Italian Dream”. (8-18 April covid-permitting)