Non, je ne regrette rien
happy with undercoat beginning…
This morning I photographed my first layer of a big drawing (380 x 505 mm) after a week of laying on the under-colour in Sennelier oil pastels.
A couple of hours later… Uh oh – I’m not feeling the love.
And…that’s it. No regrets.
A few hours later: In hindsight, every work which is labour intensive needs to be believed in. It is a huge effort but it will be worth it. In this case, I didn’t have quite enough belief (or enthusiasm) in the piece for all the effort I knew I was going to have to put into it. That’s probably the primary reason I let it go.
PS: Another reason for dumping the picture above was that it was too similar to “Rhapsody in Gold” drawn in 2017.
“Rhapsody in Gold”
Rhapsody in Gold
“Rhapsody in Gold”
Coloured pencils and oil pastels. 330 x 390 mm
On 22 October 2016 I wrote in my journal, “Sigh! I sure am feeling lazy. I don’t really want to go anywhere”. However I forced myself out of my little apartment on rue de Poitou and set off for an evening’s photography walk.
Next morning’s journal entry reads, “I finished yesterday’s entry by saying I didn’t want to go out. I was downhearted. I’d had enough of Paris and felt homesick. Blah blah blah – negative thoughts. However, the light changed, I got good photos. On the way home I got even more good photos.”
One of the photos during this walk became my source for “Rhapsody in Gold”. The view is of Ile de la Cité; la Conciergerie, a dome of the Palais de Justice, a spire of Sainte-Chapelle – and beams of light emanating from the Eiffel Tower. In the foreground, the Seine reflects street lamps and traffic lights.
The moral of the story is, sometimes when you don’t feel like going out, it is good to force yourself. You might just find treasure – in this case – pure gold.